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Finished reeling silk thread and winding it on tama. By reeling, I mean running thread in a loop between two sawhorses set 248 inches (20′-8″) apart 20 times for each tama. I’ve learned it’s not possible to keep the tension even. (Problem 1) This leads me to believe this would have been done in shorter segments that were then put together. More research is required.

So not only is it impossible to keep the thread tension even while reeling, it’s also impossible to wind the strand onto the tama with even tension. (Problem 2) And as you can see from the above photo, there are also the cut ends to deal with further complicating the tension. (Problem 3)

The looped ends of the strands are tied together with a bit of embroidery floss that is taped down. I pulled the tama taught. The strands were smoothed down and tied together using silk thread. (Problem 4)

The next step is to pass the tied together end through the whole in the center of the top of the marudai. The round top is called a mirror. A small bag containing lead fishing weight (approximately half the weight of all 8 tama combined) is attached via a lark’s head knot to the strand just below where they are all connected together. The tama are then unfurled over the edge of the marudai and secured with a lovely adjustable looped knot. I tend to get two or three of these wrong to start and a tama suddenly drops to the base of the marudai.

I then adjust the height of the tama so that they are all even. Keeping your tama at an even height as you weave is important to maintaining the delicate tension held between the cord weight and the tama. Even tension means an evenly braided cord.

Once the tama are adjusted in height with the proper knot, I adjust the strands around the marudai so the start of the braid is in a neutral position.

And we’re ready to begin kazari-himo number 3.

Problems 1 through 4 mean my cords are not evenly braided. The varying lengths of remnant strands when I finish weaving are a testament to it. And that’s okay. I am not a master of this art. I did my best with the tension. It will result in a perfectly usable cord, just like the last 2 times. And I can only do my best and learn so that maybe next time is better.

It is what it is.

4 tama* of old silk thread, 4 tama of new silk thread. I knew there would be a difference. I set them alternating so that the difference in the cord would evenly spiral through it instead of bouncing from side to side creating a zig zag wave in the weave from the variance. I’ve seen how differently weighted and sized strands affect a braid.

I didn’t expect the cord to appear tighter. The new thread is higher quality and smoother than the old, and the resulting braid is more fine. It’s also slightly smaller. Just barely.

Between a little more weaving last night and some this morning I’ve finished 148 inches. I’ll have the weaving of kazari-himo (decorative cord) number 2 finished tonight. Tomorrow will be for reeling out more silk thread and cutting the kosode.

Speaking of more silk thread…I’ve done the math. Three times, actually. The first time I had just enough thread. The second and third times were just now to double check and then verify that my double check was indeed right. The first time I was wrong. Oops.

I will have to order more thread since the new thread is so much lighter than the old thread requiring more threads per strand. And since I have to order more anyway, I’m going to up the threads per strand to 40. I know that seems like a huge jump, but I totally spaced and called the last set 15 threads per strand when they were really 30. I made 15 loops around the sawhorses. There and back makes 2. Oops. This is why my math was off the first time.

I’ll need 2 more spools. Did I ever say that these spools are 1,090 yards each? Bwahahahaha! Yeah. I’m going through a lot of silk thread.

*I realized tonight I’ve never really explained what tama are. They’re weighted wooden spools or bobbins. Each strand of the braid is wound around one tama, the braid I’m weaving has 8 tama or 8 strands. I’ll take some pictures of my kumihimo “equipment” for a post later this week. I think I should also probably start a glossary to assist my readers…

For the longest time, I considered myself a walking A&S display. I didn’t enter competitions. I’m apprenticed, so (I thought) it was obvious I was “on the path” to Laurel. I taught some classes, did service and shared my art and that felt right for a long time. And then I moved to a different Kingdom. I’ve only been able to attend a handful of events so far. No one here knows my Laurel, and unless they check my wiki, they wouldn’t even know I’m apprenticed. I don’t usually wear a visible green belt. I haven’t run events here. I haven’t held office here. Nothing is obvious. I feel like a person without context. And now, well, there aren’t in person events. I needed a way to share my art and knowledge, a way to show my growth in my chosen discipline.

This pair of competitions, this outfit, all of it, is my first go at A&S competition in the SCA. First go and it’s Kingdom and Inter-Kingdom level. Go big, am I right? Eek!

I wanted to make sure I was as set up for success as possible, after all, I’m really competing with myself. I’ve mentioned my production schedule. That was born out of my research and documentation.

It wasn’t long after discovering the Calontir Clothing Challenge (let’s just call it C3 from now on) and settling on an outfit that I realized I could also enter Crowns A&S Champions (A&S Champs) at essentially the same time. I had already listed each element of the outfit and wrote out an outline of my basic documentation. Using the East Kingdom A&S rubric as a guide, I revisited the outline and laid out what the piece was, what materials I was using to create it, what period references were used for the patterns, how it is done in period and what deviations I am making and why. I’m also adding to these notes as I go so I can include what I learn through the process and how I dealt with challenges and changes in the final version.

I refused to officially enter C3 until I had all that done; entry for A&S Champs is coming up next month. I do enjoy the confidence I have in this project because I had all the groundwork complete before starting. Let’s hope this endeavor can help me create some context in the East Kingdom.

And a weaving progress report: I’m at 78 inches and counting on the second cord. I’m also starting to really feel the repetitive motion in my shoulders.

I really thought I would give the kumihimo a rest and do something else. Nope.

I actually didn’t plan to get much of anything accomplished as I had other priorities today. I didn’t wake up knowing what to do, nor did I happen to do research that illuminated an answer. The fact of the matter is this – there is only so much space in my apartment and I can only move the sawhorses so far apart. So I set them as far apart as I could and measured. 248 inches. That should net 135 finished inches which is lovely and long and has room for knots.

So I set myself to reeling out silk thread and winding tama (wooden bobbins/spools). I was more careful this time and lifted the end loop off and passed a bit of string (DMC floss that had previously been used to attach a strand to a tama) through it.

After I had all 8 ready, I cinched the string in a lark’s head knot and taped it down to the table. I then smoothed the cut parts of the ends and bound them all together with needle and (silk) thread. This is a much more tidy start than the …test braid. That looped end will eventually be cut and trimmed to make a tasseled end.

It’s nearly midnight and I should really get to bed, but I’m sorely tempted to go ahead and set the tama and start again. I won’t. But I am tempted. And I definitely have to order more silk thread.