I’ve entered the Calontir Clothing Challenge as a “historical beginner”. My emphasis in the challenge is trying my best for historical accuracy. These kazari-himo will be close but not right. Kumihimo on a marudai is late period, mid 16th century at best. These decorative cords should be made using a fingerloop braiding technique called kute-uchi. I’m slowly researching and learning, I am weaving on a marudai as a practical substitution.
I started by using a cord and my hat to measure a plausible length for the kazari-himo, and compared that to the source image and came up with 3 yards. Kumihimo has a 35-50% take up, so I’m starting my first length at 4 1/2 yards. After the cord is woven, I’ll asses the actual take up and adjust for the remaining 3 cords.
Two sawhorses set 4 1/2 yards apart served as holders as I wrapped silk thread in a loop 10 times. This means that each strand of the braid will have the equivalent of 40 threads per strand as the thread is 2 ply twist. In period it would have been untwisted single thread as fine as 00 size.
I then spooled the strand onto a tama. Once I had 8 tama prepped, I set them together and prepped them for weaving on the marudai.
Today’s effort produced one of the mushi-no tareginu (curtain/veil) panels completely hemmed and 20 inches of braid. And now it’s already tomorrow… though I think 1:15 am should still count as yesterday.
My entry for the Calontir Clothing Challenge and Crowns A&S Champions will be almost entirely from stash fabrics. I’ve ordered linen and silk threads, Japanese needles and bought one yard of a period passable polyester brocade for one of the accessories for the outfit. I will either buy one yard of red silk taffeta or buy acid dye and dye white silk taffeta I have on hand for a different accessory.
I’m making a travelling outfit suitable for a woman of the Heian period of modest rank inspired by this lady of high rank:
If you’re curious, it’s the purple layer that specifically denotes this lady’s rank. Only the imperial family would wear purple or murasaki, one of two forbidden colors, kurenai -a reddish pink- being the other and worn as a sign of direct favor. Sugawara no Naeme is a Lady in the SCA. The forbidden colors are not appropriate.
This ensemble has multiple layers which correspond nicely to the four layers of the Challenge. We have a kosode, made of white linen (this could have been silk in period) as my first layer/underwear. Second (mid) layer is a hitoe of green silk taffeta. My third layer/upper garment is an uwagi of beautiful yellow silk brocade (that I bought many years ago for this purpose) lined in a gold silk taffeta. That leaves the hat for the fourth/accessory layer. I purchased the hat years ago, and it needs new trimmings. I’m sewing up new panels in silk and weaving 12 yards of kumihimo for the decorative cording, kazari-himo.
In order to finish the ensemble on time for Crowns A&S Champions I’ve broken it into chunks. 4 cords, 4 silk curtain panels, 4 garments (I’m counting the lining as a separate garment as it’s a separate garment’s worth of work). To finish on time with the least stress, I need to finish one cord, one panel, and one garment every 3 weeks, the last 3 week section being reserved for any catch up that needs to happen and the last garment/finishing up the uwagi. I intend to make it last. This plan has me finishing on January 7th. The current intention is to hand sew everything.
I have a few stretch goals if I finish early, the red kake–obi (sash) worn around the shoulders, the kake–mamori (amulet case) worn around the neck, and a pair of zori made of paulownia wood. I may have time to finish these after A&S Champions and still make the C3 deadline.
The first step for me is measure out oodles of silk thread into 8 sections (20 threads per section) and reel it onto tama. I’ll bounce between my marudai and stitching a panel for the first week in hopes that my thread will arrive. If my linen thread has not arrived by the time I finish the other two items/within one week, I’ll move on to the hitoe and sew the kosode after.
Next time some talk about the kumihimo I’ll be doing…